Showing posts with label Mad Word Doctor. Show all posts
Showing posts with label Mad Word Doctor. Show all posts

Friday, September 14, 2007

The Fountain Pen, Issue 9, September 2007

In this is issue…

From Mayra’s Desk…
News!
Article:
“Violin, My Muse,” by Mayra Calvani
Column: Ask the Mad Word Doctor
On the Spotlight:
Author and Publicity Expert Dorothy Thompson
Author J.C. Hall
Fiction: "Hoofbeats," by Anne K. Edwards
Mayra’s Book Reviews:
There's a Spider in my Sink (picture ebook)
Birthday Snow (picture book)
The Missing Locket (young adult)
Resources
Contests


*****
From Mayra's Desk...
Dear Readers,
The voting has started! Vote for my story, The Doll Violinist, and be eligible to win prizes!
I'll be giving away a beautiful antique doll, a $50 Amazon certificate, a gorgeous sterling silver & zyrconium ring, and free books. My illustrator, Amy Moreno, will be giving away a custom-made, pen and ink rendering of your house based on a photo provided by you!
All you have to do is vote for The Doll Violinist at the ABC's Children's Picture Book Competition and you will be eligible. You're allowed ONE vote per day for the duration of the 2-week competition. The more you vote, the higher the chances you'll have of winning. Please go to my blog, Mayra's Secret Bookcase, for details on how to vote and enter.
Please help Amy and I win that publishing contract!
Thanks to all for your support!
Best wishes,
Mayra
*****
News!
My horror novel, Dark Lullaby, is finally out and available for purchase!
Dark Lullaby is an atmospheric, bizarre horror and does not contain graphic, slasher scenes. Paranormal thriller would be a better way to describe it.
Synopsis: At a trendy Turkish tavern one Friday night, astrophysicist Gabriel Diaz meets a mysterious young woman. Captivated by her beauty as well as her views on good and evil, he spends the next several days with her. Soon, however, he begins to notice a strangeness in her—her skin’s abnormally high temperature, her obsession with milk products, her child-like and bizarre behavior as she seems to take pleasure in toying with his conscience.

The young woman, Kamilah, invites him to Rize, Turkey, where she claims her family owns a cottage in the woods. In spite of his heavy workload and the disturbing visions and nightmares about his sister’s baby that is due to be born soon, Gabriel agrees to go with her.

But nothing, not even the stunning splendour of the Black Sea, can disguise the horror of her nature. In a place where death dwells and illusion and reality seem as one, Gabriel must now come to terms with his own demons in order to save his sister’s unborn child, and ultimately, his own soul…
The link to Amazon is here.
The link to the publisher (much cheaper!) is here.
I'll be going on a virtual book tour during the month of October, which will culminate in Halloween, when I'll be giving away one printed copy of the book to a lucky winner! More details on the next Halloween Special issue, so stay tuned!
Also in the news, I was recently interviewed for http://www.howtotellagreatstory.com/. You may read the full interview at:
*****
"Violin, My Muse"
By
Mayra Calvani

Violin… The word brings such vivid images to my mind. A slender and graceful soloist performing on stage, her eyes closed with delirious ecstasy. The mysterious, dark, gaunt figure of Paganini, his long thin fingers racing up and down the fingerboard with demonic, preternatural speed. Tartini reclining in bed while handing the violin to the devil himself. Sherlock Holmes playing a tune in his small flat on 221b Baker Street.

The sound which comes forth from the violin stirs different emotions deep within my soul—sublimity, sweetness, passion, sadness, fear. Sibelius’ concerto is dark and mysterious; Beethoven’s is spiritual and noble; Brahms’ is earthly and passionate; Tchaikovsky’s is grand and dramatic.

It’s curious how, unlike other instruments, the violin seems to possess a dark, sinister quality. Surely no other instrument in history has been the ‘victim’ of such lore and legend. The violin is light and darkness. It has two faces, two personas. This is what makes the violin so intriguing. At the same time, it is associated with the feminine. I’m not referring to the shape and sound of the violin, but to the feelings it evokes on their owners. I’ve read that men violinists see the violin as a female companion, while women see it as an extension of themselves.

Another thing I’ve come to realize is that most people have intense emotions about the violin—they either love it or hate it. Interesting enough, for someone who hasn’t an affinity for music, the violin can be the most horrific, tortuous instrument to listen to.

I was a late starter. I began taking violin lessons in my mid thirties. Just as Elle Woods in Legally Blonde woke up one day and decided to become a lawyer, I woke up one day and decided I wanted to play the violin. For somebody like me, who had never had any kind of musical education, it was a great challenge. Four years since then, I can only say I don’t know how I could have lived without my violin for so long. A wonderful new dimension has opened in my life. Enveloped in music, surrounded by etudes and books, I wallow in the daily practice of this magnificent instrument, this marvel of ingenuity. But, most strange of all, this new dimension has extended to my writing as well. The violin has stirred my imagination and unleashed my creativity in ways that I never experienced before. A little orphan girl who wishes to become a violinist begs me to write her Christmas story; amateur teenaged violinists whisper in my ear that they wish to be the protagonists of my new mystery; a fragile, mentally unbalanced young violinist shares with me her horror tale, assuring me that her story would make a bestseller…

Always near my computer, my violin beckons me to hold it when I’m stuck in a scene or passage, as if only one embrace, one stroke, are enough to lift the dark cloud from my mind. And always in the background is the violin music, my muse and inspiration. I hope this gift will continue to be bestowed upon me for many years to come.

*****

THE MAD WORD DOCTOR
Reading Characters’ Minds


Dear Doc Joan,
I understand about writing in one character’s POV [point of view] at a time, but will you please clarify how to show that character’s interior monologue (the POV character’s thoughts)? This is a question for my whole critique group.
Thanks – Wannabe Mind Writers

Dear Mind Writer,
For one thing, unspoken thoughts shouldn’t have quotation marks. In fact if readers are thoroughly immersed in the character’s POV, it isn’t even necessary to tag the line as a thought. Following are some examples of weak interior monologue made better with editing.
Weak: Carl could hardly believe his ears when he listened to his phone messages and heard Tiffany’s voice. He wondered if she’d changed her mind about letting him take her to dinner. Fat chance, he thought.
Better: Carl could hardly believe his phone message—Tiffany’s voice. Had she changed her mind about the dinner date? Fat chance!
Analysis: Removed redundancies: What else do you listen with but your ears? And avoid words such as “wondered” and “thought” because they take readers out of the character’s head for a second and remind them, “This is only a story.” Phrasing as a question removes the need for “wondered.” It’s also obvious he’s the one who thought, Fat chance! Whether or not you use italics to show it is optional (read on).

Italics indicate when a character shifts to a deeper level of interior monologue. Most of our thoughts aren’t formed in words, but sometimes we do shift gears and talk to ourselves in actual words—silently, mind you. If she speaks aloud, do use the quotation marks. Many authors show this by putting the unspoken words in italics. When they do this, even if all other interior monologue stays with the story plan of using third person, past tense, they show the deeper level (italicized) in first person, present tense—as it would be if spoken. Consider the following passage (in Tiffany’s POV) using this technique:
Weak:
“Tiffany, uh, you called?” Carl’s voice shook on the phone.
“Oh, hi, Carl.” Tiffany drawled out his name, thinking with satisfaction how much the twerp hung on her little gifts of attention.
“You wanted me to call you back?”
“Thanks,” she answered sweetly, but thought, Well, duh! What do you think the message was for?

Better:
“Tiffany?” On the phone Carl’s voice trembled. “Uh, you called?”
“Oh, hi, Carl.” Tiffany drawled out his name, satisfied at the way the twerp hung on her little gifts of attention.
“You wanted me to call you back?”
“Thanks,” she honied her voice, but rolled her eyes. Well, duh! What do you think the message was for?

Notice the different levels of interior monologue in the latter version. In Tiffany’s first lines, her thoughts stay in third person, past tense. In her next lines, her level of monologue begins on that same level but shifts to first person, present. Of course, if your whole story is in first person, this too would stay first person throughout.
Henceforth may you give your readers power to read a character’s mind.
– Doc Joan

Have a question to share in this column? Email me at: jmuHall@aol.com with “Ask the Book Doctor” as your subject line. If you want to remain anonymous, I’ll address you by whatever pseudonym you sign. To see previous issues, go to: http://www.joanuptonhall.com/books.htm. Scroll past the book covers and click “Ask Doc” Q&A’s.

*****

Interview with Dorothy Thompson, author, publicist and relationship expert.

Why don't you start by putting on your publicist hat and telling our readers what a publicist can do for an author that the author cannot do himself?
Hi, Mayra, and thanks for asking me to be here! First let me begin by saying that I’m an advocate for learning how to do things yourself. If I know how to do it and you need to know how to do it, I’ll teach you to do it. For some, it doesn’t come as easy as it does for others. Not saying you aren’t as smart, but maybe you’re just too overwhelmed with editing or are on a deadline and you can’t do everything. That’s when a publicist comes in handy. Because I am an author much like the clients I represent, I have been in their shoes. I know their frustrations and that’s why my approach is very hands on with them. I have a client who is getting ready to go on tour in a couple weeks and he needed a book blog to aid him in his virtual book tour, but as he had never blogged before, much less set one up, he needed my help in setting one up which I did and which you can see at http://partiallyhuman.blogspot.com/.
Now, this guy isn’t dumb. He’s almost 24 years old and has three books published. But, there are just some things he’s not familiar with and I’m finding this is happening a lot because when an writer becomes an author for the first time and even for the eleventh time, his or her first instincts are to set up booksignings, maybe invest in bookmarks, that sort of thing, and maybe set up a website. But, blogging…I don’t think many authors realize the potential blogs have in aiding to sell your book. So, that’s a little part of what I do that some authors can’t do. But, I find it funny…once I set the blog up for them and explain what to do after that, they become blogging fanatics. Now, that really makes me happy.
I think what authors don’t realize is that if they spent as much time on the Internet – and that’s what I specialize in – as I do, they would learn everything there is to know about online promotion but it has to be a 24/7 thing. A lot of authors just don’t have that amount of time to put into promotion simply because they have books to write, edit and revise. That’s where a publicist comes in. They do the work so you can do what you do best and that is write. However, I do encourage all my authors to do some kind of online promotion every single day.

Tell us a bit about your company, Pump UP Your Book Promotion, and your mission.
I started Pump Up Your Book Promotion in April ‘07, so we haven’t been in business very long but business is booming. To tell you the truth, I’m not even sure what happened except one thing led to another. I started out by getting a call from an online friend who wanted me to promote her book online. She was a member of a couple of my writing groups and had listened to the various ways I was showing people how to promote online and she insisted on paying me to promote hers. I thought she had lost her mind because I wasn’t a publicist. Little did I know, but this was the beginning of my career as one.
I had just finished a virtual book tour myself, which I think was successful, so I suggested setting up one for her but I wanted to test my wings first. A lovely woman, Marilyn Celeste Morris, was my guinea pig. I sent her out in April on a virtual book tour for her book, “Once a Brat,” for my newly established company, Pump Up Your Book Promotion Virtual Book Tours and I just loved it. While Marilyn was on tour, I was getting emails from authors all over who wanted me to set up their virtual book tours, too. And it hasn’t let up since.
Pump Up Your Book Promotion Virtual Book Tours is part of Pump Up Your Book Promotion, a public relations firm specializing in online promotions. There are lots of reputable public relations firms that deal mainly with offline promotion and I thought why not fill that void – that online book promotion that most public relation firms are not concentrating on.
What we do is aim for extensive recognition in the search engines by showing these authors how to get their books in the # 1 position in the search engines for their key search words. By the time their tour is over, if they have properly used these search words in different areas I have instructed them to, it’ll happen.
The main purpose in this is that your virtual book tours are perpetual. They keep on promoting you long after your tour is over if the blog host keeps your interview/guest post/review/whatever on their blog. By creating this enormous online presence, your virtual book tour will be a success.

What is the hottest thing in book promotion right now? Why?
Great question, Mayra! The hottest thing in book promotion right this very minute I have to say would be videos and podcasts. Readers love visual and audio. If they go to a website or blog and there’s a visual or an audio, they feel as if they’ve gotten more value out of their time spent there than if they were there just reading text. You need to appeal to the senses. Virtual book tours are hot right now and combined with the visual and audio aids, you’ve got a real good chance at creating a great campaign.

How easy/difficult is it for an author to plan a virtual book tour?
LOL, ask my authors. I have an article up at http://pumpupyouronlinebookpromotion.blogspot.com/2007/08/real-world-of-virtual-book-touring.html called “The Real World of Virtual Book Touring” where I’ve had my recent authors give me input on how much work there is even when having someone plan their tours for them. Most of them said they had no idea it was going to be a lot of work. I put in 81 hours a week setting up and maintaining tours for about seven or so authors a month. The authors themselves put in an incredible amount of time answering questions and writing guest posts. If you do a months worth of tours, you have approximately twenty interviews and guest posts to get done. One of my authors told me it took a half hour just to answer one interview because they are really concentrating on making those search words count.
But, back to your question, it is hard but very doable. If you are setting up a tour yourself, you are querying blog hosts, keeping track of dates, answering questions and more than likely writing guest posts, then you are following up. When I was on my own virtual book tour back in November ’06, I remember it wasn’t as easy as it sounds. And I do remember breathing a sigh of relief when it was over, lol.

How can authors find out which blogs have the higher traffic for their book's genre?
Ahhh…trade secrets revealed. Alexa.com (http://alexa.com/) gives rankings for blogs (or websites) and compares them to other blogs of similar content. Someone told me recently that so-and-so blog must not have a lot of visitors because no one comments there. You can’t judge a blog by comments. I know a lot of high profile blogs where people just don’t comment, so you can’t judge a blog by that.
If you go to Technorati (http://technorati.com/) for instance, and put in your key search words, you’ll get blogs come up related to those words. Take the url of those blogs over to Alexa and do a comparison. Takes time, but it’s the only way you’ll at least get an idea of the blog’s status.
Technorati is the world’s largest blog search engine, but there are many blog search engines out there where you can do this.

Book trailers can be very expensive. Are they really worth the cost in terms of book sales?
Book trailers are just like anything else you spend money on to promote your book. Will you make it up in sales? The jury is still out whether or not they are convincing people to buy these books, but they most definitely couldn’t hurt. The way I look at it is, if you’d spend a hundred bucks on bookmarks, why not book trailers? Will you get your money back? Well, the thing is, you want to be noticed and book trailers are one way to do it. Authors spend an incredible amount of money on book promotional items, so why not trailers? I just started a new thing at Pump Up where anyone who purchases the gold package can get a free virtual book tour promotional video to advertise their tour. These trailers can be seen at YouTube, Google Video and Yahoo Video, among other video websites. If you’d like to see the one I’ve got for Caridad Pineiro who will be touring in September, go to http://www.youtube.com/watch?v=tLzUXLZlyTg&eurl and the most recent one I made was for Hazel Statham who will be touring in September, also. You can see hers at http://www.youtube.com/watch?v=BzgsRo4ZLHA. So, I’m playing around with this area of book promotion and we’ll just see how that goes.
What do you think is the most common mistake authors make when promoting their book?
The most common mistake I feel they make is not realizing the potential of blogging and using those key search words. I have a lot of author friends who are blogging and still don’t know how to add tags to their posts. The potential is there, yet it’s not until you see it in action do you realize how many hits you could have gotten had you learned. I’ve got so many funny stories of how even executives and owners of huge corporations find blogging one of the most mystifying things and I try to explain that online promotion is one of the most valuable things you can give to your book’s campaign.

If you had to choose among all the various forms of book promotion--press releases, reviews, mailings, book tours, speaking and giving seminars, etc--which one do you think is the most effective for name visibility and book sales? Or are these two different things?
This is the easy. Speaking and giving seminars has to be the #1 way to sell books, plus you’re making an incredible amount of money doing it. That’s where the money is. What a lot of new authors don’t realize when they first get into this promotion thing is that they aren’t going to make enough off of royalties to quit their day job and most of their royalty checks aren’t anything to brag about. Sorry, but it’s the cold hard facts. Especially if part of their royalty checks are being divided by not only the publisher, but the distributor also. You make pennies at Amazon. We all want those high rankings but if you realized just how much you are making from those sales, you’d laugh. I have two authors right now on tour who are solely living off their speaking engagements and whatever royalties they get. Speaking and giving seminars, no doubt in my mind is where it’s at.
Now, if you’re not someone who loves to give seminars, aim online for those sales. Of everything you mentioned above, virtual book tours has got to be my most favorite, of course. If you’re looking for name visibility, go on one of these tours. People will get sick of seeing you all over the place! But, one person who will get tired of you the most will be our friend, the Google search engine. ;o)
You also keep a series of blogs which offer free promo opportunities for authors.
I have to laugh because in an earlier question, you asked me about how much is involved putting a virtual book tour together and I told you it took a lot of time on the author’s part…well…this interview, for example, has taken almost two hours to complete. Multiply that by 20 and you’ll see just how much time goes into one.
Okay, my promo blogs! What I’ve done is create quite a few promo blogs to help authors promote their books and all of them are absolutely free. Here they are by alphabetical order:
As the Page Turns
http://asthepageturns.blogspot.com/
Author Talks
http://authortalks.blogspot.com/
Be My Guest!
http://www.bloggingauthors.blogspot.com/
Book Publishing Secrets of Authors
http://www.publishingsecretsofauthors.blogspot.com/
Plug Your Book!
http://www.plugyourbook.blogspot.com/
Plug Your Book Trailer!
http://www.plugyourbooktrailer.blogspot.com/
Straight from the Author’s Mouth
http://www.straightfromtheauthorsmouth.blogspot.com/
The Story Behind the Books
http://www.thestorybehindthebooks.blogspot.com/
The Writer’s Life
http://thewriterslife.blogspot.com/

Tell us a bit about your book promotion book.
My book promotion book is actually a self-published ebook titled “A Complete Guide to Promoting and Selling Your Self-Published eBook.” A lot of the principles in the book I am using to help my clients promote their books through these tours. Don’t let the “self-published ebook” fool you…it can be used to promote your print or otherwise published book, also. The main goal of this book is to show authors how to and where to promote online. You can visit the webpage at http://www.pumpupyourbookpromotion.com/BookPromotionEbook.html. As a matter of fact, I’m offering a freebie to go along with the purchase of the promoting ebook. You can get absolutely FREE the radio promotion ebook, 101 INTERNET RADIO SHOWS TO PROMOTE YOUR BOOKS. This is a limited time offer, but it’s a great deal while it lasts.
Putting your author and relationship-expert hat, please tell us about your other books.
Oh, my goodness, I have to tell you, of all the books I have, ROMANCING THE SOUL, is very dear to me because the book wouldn’t even have been thought of if not for a dream I had when my twin soul came to me and told me to put this together. I know it sounds new-agey, but it really happened. ROMANCING THE SOUL is a collection of true soul mate stories and was published by Zumaya Publications. My other book I co-wrote is titled THE SEARCH FOR THE MILLION $$$ GHOST and that’s about an eccentric millionaire’s quest to find the ghost of his late wife and he’ll offer them a million dollars to do it. I co-wrote that with Heide AW Kaminski and Pam Lawneczak. Both books can be found at Amazon.

Who is Dorothy Thompson, the lady? Describe an ordinary day in your life.
Try overworked? Goodness, you don’t even want to imagine what I go through. The Pump Up business keeps me at it 24/7. I love it, but it’s an extraordinary amount of time involved to keep it running. If you’re not making sure the present tours are running smooth, you’re finding tour hosts for the next set of authors going out. It’s more involved than you could ever imagine…lots of sleepless nights and plenty of caffeine, but you know, I live for this. I have met so many wonderful people and a lot of them have become lifelong friends. Not only that, the blog hosts I do want to mention have been incredible. Everyone has really made this such an incredible experience and I hope the authors leave with the same feeling. I do give it my all because I’m a perfectionist when it comes to having others trust me to do what they paid me to do.

As an author and publicist, what is your greatest reward?
It’s got to be the people I have become involved with since I started Pump Up. We have an incredible lady who is working with me now named Nikki Leigh (http://www.nikkileigh.com/) who basically saved me when my last partner left. I do want to mention her because at the time she came on board, I was handling seven authors on my own and she agreed to take one for me, thus lifting my workload. It’s incredible the amount of time you spend for just one author and handling seven at one time was a bit much even for me. She is incredible, fast and knows the business and knows how to promote. That’s what I look for in a partner because this type of business, you have to know online promotion. She’s a whiz, that’s all I have to say.
But, it’s also people like you, Mayra, because if it weren’t for the many blog hosts who we have contracted to host these tours, there would be no Pump Up. I thank you and all of my authors thank you and everyone else who have helped make Pump Up a success.

Leave us with some witty words of wisdom.
LOL, at 1:14 in the morning, you want words of wisdom. Okay, here’s the lowdown. Don’t underestimate the power of virtual book tours. While you look over the different stops that my authors appear on and you start to thinking that it looks like a bunch of tours thrown together, what you aren’t seeing are the ways we use these stops to further promote your tour. There are press releases being sent out that ends up in Google News. We announce your stops on writer’s boards and social networking sites. We are submitting your interviews to publications that end up in Google News, also. We go the extra mile. What the casual observer sees is not the whole picture. Ask the authors. They know what they have been through answering interviews and writing guest posts. It’s a lot of work to all involved, but what happens is that all those interviews and all those guest posts end up being archived, thus your virtual book tour is perpetual. That’s the beauty of online marketing and the power of virtual book tours.
Thanks, Dorothy!

Thank you, Mayra! It’s been a pleasure!
*****
Interview with Fantasy Author J.C. Hall

Why don’t you start by telling us a bit about your latest book, LADY OF THE LAKES, and what inspired you to write such a story?
LADY OF THE LAKES is the story of Corryn, a young outcast from his village who encounters Jess Lochlen, Lady of the Lakes, so-called because she travels via the Silver Lakes in the land of Rogrovia. Jess is on a double mission—to recover her captured infant cousin, and to determine if treachery is stalking the Rogrovian throne. Fascinated by her and her silver sword, Corryn tags along, and gets much more than he bargained for as he gets swept up in political intrigue, high adventure and romance.
I love the fantasy genre, but much of what I read feature male protagonists. I wanted to read about strong female protagonists who have responsibilities, can wield a sword (preferably a magic one), and who actively participate in politics and high adventure. I also wanted to create a believable romantic relationship between my two main characters who are literally from different worlds.
A common theme in both LADY OF THE LAKES and my other fantasy novel LEGENDS OF THE SERAI is the difficulty the female protagonists have in reconciling their duty (responsibilities) with their personal relationships (romance).

How would you describe your creative process while writing this novel? Was it stream-of-consciousness writing, or did you first write an outline? How long did it take you to write it?
When I first began writing, I would simply have a good idea of my main characters and their motivation and several key-scenes in mind, and then proceed to find ways to get the characters to move from one key-scene to another. While fun, it’s not the smartest way to write a novel. Now, I’m a believer in outlining. It may seem counter-productive to spend so much time on an outline when you could just jump in and start writing the first draft right away, but it’s time well spent. It’s much simpler and takes considerably less time to change things within an outline, and it forces you to think things through to the end. I’m still new at this, and seem to work best with both going at the same time. I start writing the first draft and soon the outline develops, and as I keep writing, the outline changes for the better and that keeps my first draft on the straight and narrow—no meandering, no side-tracking, no waste of time or effort.

Technically speaking, what was the most difficult part in writing this novel?
Tying up all the loose ends. The climax is where things come to a head and that’s dramatic, but then you have to tie up all the loose ends and that’s anti-climactic and hard to carry off without feeling like you’re over-explaining to the reader.

You chose an unusual language in your novel, similar to medieval language… was this choice an easy one to make? Are fans of fantasy novels used to this type of language?
I use it to highlight the difference between Jess (who, after all, does come from a different world) and Corryn. I think high fantasy readers (as opposed to readers of contemporary fantasy) do expect a degree of otherworldliness in the story, and language is one way to evoke that sense of wonder one experiences when reading about the unearthly and the unknowable or unknown.

Have you ever suffered from writer’s block? What seems to work for unleashing your creativity?
Sure, who hasn’t? For me, writing both fiction and non-fiction helps to mix things up, allowing me to take a break from one thing and mess around with another. I started writing a screenplay recently. It’s a very different discipline from novel-writing, poetry, reviewing or travel writing, all of which I do. Anyone can get into a rut if you do the same old, same old. It helps to challenge yourself and try different things. There’s no law that says you can only be a novelist or a poet or a screenplay-writer. Writers write.

What type of books did you use to read as a child?
I grew up on Enid Blyton, then graduated to Agatha Christie, quickly followed by the rest of my dad’s novels lying around the house: mostly Dorothy Sayers, P.G. Wodehouse, Dashiel Hammett, Erle Stanley Gardener. It wasn’t until I emigrated to Canada that I discovered the fantasy section in the local library. I was hooked from my first Judith Tarr, Patricia A. McKillip and C. J. Cherryh, and read all their wonderful novels in a matter of months.

How do you set about promoting your novel? How many hours a week do you spend on book promotion?
I have a website (http://jc-hall.com/) devoted to all aspects of my writing, where samples of my fiction (novels, poems) and non-fiction writing (book reviews, movie reviews, travel articles) are showcased. I am a Top Reviewer (Books Category) with the online consumer community review website (http://www.epinions.com/). I also contribute to the Mad Ten Authors blog (http://madten.wordpress.com/). And I’ve just joined the Facebook online community.
Are there any fantasy authors who have inspired your writing?
My favourite fantasy authors are Patricia A. McKillip, C. J. Cherryh, Lois McMaster Bujold and Judith Tarr. Patricia A. McKillip writes beautiful, lyrical fantasy and has won numerous awards, including the World Fantasy Award. C. J. Cherryh and Lois McMaster Bujold write both fantasy and science fiction; their awards include the Hugo Award and the Nebula Award respectively. Judith Tarr writes standalone novels as well as high fantasy series, including the Avaryan Rising Chronicles.

Do you have a website/blog where readers may learn more about you and your work?
Yes, my website URL is http://jc-hall.com/ and my blog can be accessed on the homepage of my website.
Do you have another novel on the works? Would you like to tell readers about your current or future projects?
I’m currently working on two projects. The first is the outline of the last instalment of my Silver Lakes fantasy series: The Reclining Dragon. I’m also working on my first screenplay. It’s a very different format from novel-writing, but being that much shorter, it’s not taking me as much time. It’s also a departure from fantasy, and so will probably appeal to a very different audience. Hopefully, once I finish my screenplay, I will complete the outline of The Reclining Dragon and start writing it in earnest.

*****
"Hoofbeats"
by Anne K. Edwards

Hoofbeats! This time of night? In such a blizzard?
Ole Mike rose from his warm bed and picked up his lantern. He lit it from the embers in the fireplace. Tossing a big of wood on them, he watched with satisfaction as they grabbed onto it with hungry red finters. He hung the coffeepot on the hook and swung it over the growing flames, then pulled on his boots. As always, the stone floor was cold.
He heard the hoofbeats again. Nearer. Was that a whinny?
He shoook his head at some folks' stupidity. Wasn't his horse. He didn't have any more. Ole Bub had up an' died a year back and he didn't see the sense of buying another. Town has grown so, it was nearly at his door. Wouldn't be long before they wanted his land to build on, a thing he feared.
But that didn't matter at the moment. He pushed himself up from the creaky wood chair by the fireplace and took up his worn coat.
Better go see who was riding around in the storm.
Taking up his lantern, he pulled his coat tight and opened the door. Regretting the necessity that drew him away from the snug security of his cabin, he stepped into the blowing snow.
"Halloo," he called several times.
No answer.
He cried "Halloo" above the storm.
His lantern guttered as the wind picked up.
Hoofbeats again! Closer now.
Ole Mike peered blindly about in the snow that stung like hot ashes on his face. He called once more and watied, listening.
The snow made it hard to see.
It came to him that he shouldn't be hearing hoofbeats either. The snow always muffled sound. So why did he hear them now?
A shadow loomed over him. It whinnied. Nearly a scream. Like Dapple used to do when he wanted his grain.
Ah, Dapple. So many years ago. They had been young fools together.
Tears filled Ole Mike's eyes. He peered up at the shadow.
It rose before him, then came down.
Dapple! He'd recognize that gray and white head anywhere. He'd never forgotten.
His hand trembled as he raised it to the well-loved face of the horse that belonged to another era.
"Dapple?" He touched the velvety nose that pushed at his hand. "How?"
The horse tool Ole Mike's sleeve in his teeth and tugged. THeir old game when Dapple wanted a run with Mike on his back.
Ole Mike shook his head sadly. "I can't, Dapple. I'm old now and stiff. You remember how that is. Like you were that last year."
Dapple pawed the snow, tossing it vigorously.
Tears froze on Ole Mike's chee. "I wish I could, Dapple. I wish I could." He sighed.
Dapple shook his head, pulling insistently on the sleeve he held in his teeth, his breath turning white in the frigid air.
Ole Mike set the lantern aside and wrapped his free arm about the warm neck of his first love. "Ah, Dapple. Ah. I'm too old. And this is only a wonderful dream."
In his mind he knew it was a dream. He wasn't cold any ore. And Dapple had been gone over forty years. This sort of thing just wasn't possible.
The snow stopped. Just like that.
Ole Mike stared out over the frozen landscape. The distant mountains were merged with the valley under the thick white blanket. It would take the town a long time to dig out.
He could see smoke rising from some of the chimneys as people stirred. Time to wake up and begin the new day.
Dapple continued to exert pressure on his sleeve, tugging Ole Mike away from his cabin with short sharp jerks.
"You want me to come with you?" The old man let the horse lead him away from warmth and security. "Why?"
The horse let go of his sleeve and whinnied. The sound echoed over the valley, rebounding from the mountainsides. He stamped impatiently.
Ole Mike shook his head. "I don't know if I can, but I'll try. You'll have to let me find a stump so I can pull myself up. Ain't young like we was once."
He used Dapple's withers as a walking aid as they headed for the chopping block around the side of the cabin. In the shadows created by the moond that broke through departing clouds, Ole Mike struggled onto Dapple's back.
The horse jigged, wanting to be off.
Ole Mike grabbed a handful of mane and settled as best he could.
Dapple took off at a full gallop.
***
"What do you suppose happened?" Cort James asked Sheriff Davies. "I come over this morning to bring him some stuff Mayra wanted him to have, biscuits and such. I found him like this."
Sheriff Davies shook his head. "Ain't no way to tell. Reckon he come out for firewood and his heart gave out."
"Suppose that's it." Cort swept the area with his hand. "These hoofprints are fresh."
"Yeh. Horse was moving fast, too." The sheriff shoved his hat back, scratched his head, and reset his hat. "Don't understand why they don't go no further than the edge of the trees though."

Fini...

*****

Mayra’s Book Reviews:

There’s a Spider in my Sink!
By Bill Kirk
Illustrated by Suzy Brown
www.Ebooks4Tots.com
Copyright 2005
Ebook
Ages 2-6

There’s a spider in my sink!
Did he drop in from the brink?
Does he want a little drink?
There’s a spider in my sink!

Thus begins this very cute picture ebook young children will love listening to and early readers will enjoy reading on their own.

The little boy in the story has a problem… a spider has suddenly taken possession of his sink! What is he to do? How to get rid of it without hurting it? After all, the only thing the spider wants is a safe home. But he has to do something! How will he be able to brush his teeth and comb his hair, when the sink is covered with cobwebs?

The story is written in iambic beat and has a smooth, fun rhythm that both children and adults will enjoy.
The colorful illustrations are appealing and possess the right touch of wackiness that well suit the story. I also found the ebook itself a pleasure to use. The book appears on the screen and all you have to do is click on the page for it to turn, giving the feeling of a real book. Even toddlers will be able to turn the pages on their own. In sum, this is a delightful little book that teaches children the good side of spiders, while at the same time developing children’s language and computer skills.

***
Birthday Snow
By Kim Messinger & Michael LaLumiere
Illustrated by Angela Ursillo
Stagger Lee Books
ISBN: 9780979100611
Copyright 2005
Hardcover, $14.95, 32 pages
Ages 4-8

Freckled-faced Daniel has a dilemma. It’s his birthday today but there’s no snow. Up until now, it has ALWAYS snowed on his birthday.

Patiently, he studies the sky from his bedroom window, waiting for signs of snow. He loves snow and all the fun things he can do when it snows, like wearing his snow clothes, make ice cream, and zoom down the hill on his snow tube.

Even though it is sunny outside, he puts on his snow clothes and decides to ask people—friends, his sister, the postman—about the weather. To his chagrin, they all assure him there won’t be any snow today. But that can’t be! It always snows on his birthday! Undaunted, he keeps faith and tries their crazy suggestions—does a happy dance, wears his pajamas inside out, puts four ice cubes in the toilet, etc..

Finally, exhausted, he falls asleep in his mother’s arms. Will there be snow when he wakes from his nap?

Birthday Snow is a beautifully illustrated picture book about persistence and faith. It is humorous without being wacky and maintains a sweet, rather quiet mood all throughout. It is a fun story to read to children at bedtime, as well as one early readers will be able to enjoy on their own. This book would make a lovely present on any occasion.

***

The Missing Locket
Book I, Cynthia’s Attic series
By Mary Cunningham
Quake (Echelon Press imprint)
ISBN: 1-59080-441-4
Copyright 2005
Trade Paperback, 152 pages, $9.99
Mystery/Paranormal, Middle Reader

The Missing Locket is a paranormal mystery featuring two lovable young sleuths that girls 9 and up will absolutely love. It is the perfect, darkly atmospheric story for young fans of intrigue and adventure to cuddle up with on those gray, rainy afternoons or read in bed.

It is the summer of 1964 and Gus and Cynthia, two best friends who are very different from each other yet very close, are bored out of their minds. Then they have an idea—why not explore Cynthia’s old and mysterious attic? After all, Cynthia lives in one of those huge mansions with three floors and lots of rooms, the perfect kind of house that stimulates young imaginations. In the attic, among all the antiques, spiders and cobwebs, they discover a huge, dust-covered old trunk.

When they open it, they find an old, dirty, pink ballet costume and slippers, which Cynthia, unable to resist, quickly tries on. Then something very strange happens… Cynthia begins to dance and twirl with the effortless beauty of a ballerina! Stunned, she soon takes it off. As they head towards the door, the unimaginable happens—they’re ‘pulled’ back to the trunk as if by magic, and the attic changes, becoming cold and still when only a moment ago it had been hot and muggy. What’s even more strange, the ballet costume and the trunk now look brand new!

Under the costume, they discover a sailor dress, and this time Gus tries it on, with drastic consequences… she’s whisked in time back to 1914, to the time when their grandmothers were only twelve years old. Of course, later on, Cynthia joins Gus, and together they must help their Aunt Belle and solve the mystery of the missing, bell-shaped locket, an adventure that takes them over on a steamship across the Atlantic and where they make friends with a young boy’s ghost.

Talented author Mary Cunningham has drawn a delightful, intriguing fantasy world that will delight middle readers. Her love for storytelling and for the genre really comes through the pages. The pace is quick and there’s enough twists and turns to keep juvenile fans of mystery guessing. The characters of Gus and Cynthia are sympathetic and interesting and young girls will be able to identify with them. This is the first book in the series and I certainly look forward to read the second book, The Magic Medallion, soon.

***
Resources:
*Bev Walton Porter, editor of Scribe&Quill ezine, has lauched a new radio show for authors and readers alike. The show, which focuses on writing and creativity, is called Elemental Musings. The first show will be this Sunday, September 16. For details, go to http://www.nowlive.com/scribequill.
*http://blogcritics.org/, Fantastic site for book reviews and author interviews.
*http://howtotellagreatstory.com/, The Beginner's Guide to Storytelling.
*http://5minutesformom.com/, High profile blog for moms on the run.
*Writers' Forums

Saturday, August 11, 2007

The Fountain Pen, Issue 8, August 2007

In this issue…

From Mayra’s Desk…
News
Article: "A Ten Step Diet for the Verbose Writer", by Lois Winston
Column: Ask the Mad Word Doctor
On the Spotlight:
Author and Publicity Expert Carolyn Howard-Johnson
Author Cheryl Kaye Tardif
Mayra’s Book Reviews:
The Frugal Editor, by Carolyn Howard-Johnson
Freckleface Strawberry, by Julianne Moore
Beauty Shop for Rent, by Laura Bowers
Resources
Contests

*****
From Mayra's Desk...


Those of you who write children’s picture books may be familiar with the ABC’s Children’s Picture Book Competition; my guess is most of you have never heard of this contest.

The ABC’s Children’s Picture Book Competition(http://www.abcbookcompetition.org/) takes place every year (this is their third year) and offers the winner a fabulous grand prize of a publishing contract with a 10,000 hardcover print-run, as well as 1,000 extra copies of the book for the author to do with as she/he pleases. The unusual thing about this competition—and in fact what makes it stand apart—is that while the ten finalists are chosen by judges, the winner is chosen by online public vote. In other words, YOU the reader, get to choose the winner. The finalists have already been chosen this year (for the names of finalists,
go to: http://www.abcbookcompetition.org/third_comp/index.htm). The finalist stories will be posted on the site, along with their illustrations, for voting from September 16th until the 30th. The winner will be announced on the 8th of October.

Where do I fit into all this? Well, I’m happy to say that my story, THE DOLL VIOLINIST, is one of the finalists! People who vote for my story will be automatically entered in a drawing and prizes will range from Amazon gift certificates, to antique porcelain dolls (just like in the story!), to jewelry, to free copies of my books! All you’ll need to do is leave a message on my guestbook (something like ‘You have my vote’) and go to the ABC’s contest page and vote for THE DOLL VIOLINIST.

To be honest, this is the part of this contest that I’m uncomfortable with. I mean, you just can’t go to people and tell them, ‘Hey, my story is the best. Vote for it!’ That’s tacky, to say the least, especially to a shy, antisocial author like myself. The logic behind this is that if I can get enough people to vote for my story, I can also get enough people to buy it, and the publisher who will be printing those 10,000 copies wants an aggressive and bold book promoter. With this predicament in my hands, I’ve decided to pretend to be Jennifer Lopez until the end of September.

I’ll keep you posted next month with detailed instructions and the full list of prizes.

Until then, enjoy this issue!

Best wishes,
Mayra Calvani
*****
News:

*My paranormal thriller, Dark Lullaby, is coming out this September. I just got the cover last week... Creepy!



*Starting this September, I'll be teaching a book reviewing writing course at the Long Story Short School of Writing. For more information and a full description of the course, please visit: http://www.lsswritingschool.com/theartofbookreviewing.html . Students will have their best written reviews featured on Voice in the Dark and The Fountain Pen newsletters!
*****
Write Tight: A 10 Step Diet for the Verbose Writer
by Lois Winston

THE END. What a sense of accomplishment to type those words upon completion of your manuscript. After months or maybe years of labor, your baby is ready to leave its cozy Microsoft womb and fly off to that “A” List of agents and/or editors. Except for one problem. Somehow your bundle of joy wound up tipping the scales at 20,000 words over your targeted line’s weight limit. Now what? You curse. You cry. You stamp your feet. You reach for the chocolate. Feel better? Probably not. Baby is still a porker. However, all is not lost. Put baby on the following diet, and in no time she’ll shed that excess word weight.

STEP ONE: Reread your manuscript. Is every scene essential to the plot or the goals, motivations, and conflicts of your characters? If not, no matter how much you love what you wrote, ax the scene. Each scene must serve a purpose. No purpose? No scene. Yes, I know it hurts. So instead of hitting the “delete” key, cut and paste the scene to a Loquacious Blubber file. You may be able to use it in a future manuscript.

STEP TWO: Repeat STEP ONE for all dialogue. If the dialogue is nothing but chit-chat which neither advances the plot nor tells the reader something essential about the characters, exile it to the Loquacious Blubber file.

STEP THREE: Do a search of “ly” words. You don’t have to omit all adverbs, but wherever possible, substitute a more active, descriptive verb to replace your existing verb and the adverb that modifies it.
· Blubber: Joe walked purposefully across the room.
· Tight: Joe strode across the room.
· Savings: 1 word

STEP FOUR: Instead of using many adjectives to describe a noun, use one all-encompassing adjective or a more descriptive noun. If certain information isn’t necessary to your story, omit it.
· Blubber: Elizabeth grew up in an old, large house with twenty rooms that sat on four acres of land.
· Tight: Elizabeth grew up in a Victorian mansion or Elizabeth grew up on an estate.
· Savings: 11 or 12 words

STEP FIVE: Say it once, then move on. It’s not necessary to repeat an idea or image in different words in the next sentence, the next paragraph, or on the next page. You don’t need to beat your reader over the head. She’s intelligent enough to “get it” the first time she read it.
· Blubber: A kettle drum pounded inside Elizabeth’s head. Her temples throbbed. Her skull pulsated with pain.
· Tight: A kettle drum pounded inside Elizabeth’s head.
· Savings: 8 words

STEP SIX: Identify needless words and eliminate them. Every writer has at least one or two pet word she overuses.
· Blubber: Elizabeth just wanted to know Joe better before she dated him.
· Tight: Elizabeth wanted to know Joe better before she dated him.
· Savings: 1 word

STEP SEVEN: Avoid laundry list descriptions by substituting more descriptive nouns and adjectives.
· Blubber: Joe wore a blue and green plaid threadbare shirt with a missing button at the cuff and a pair of frayed black jeans torn below the knees.
· Tighter: Joe wore Salvation Army rejects.
· Savings: 22 words

STEP EIGHT: Do a search for was. Wherever it’s linked with an ing verb, omit the was and change the tense of the verb.
· Blubber: Elizabeth was listening to Joe.
· Tight: Elizabeth listened to Joe.
· Savings: 1 word

STEP NINE: Choose more descriptive verbs and omit the additional words that enhance the verb.
· Blubber: Joe walked with a swaggering gait.
· Tight: Joe swaggered.
· Savings: 4 words

STEP TEN: Omit extraneous tag lines. If it’s obvious which character is speaking, a tag line is unnecessary.
· Blubber: Joe turned to face Elizabeth. “You don’t understand,” he said.
· Tight: Joe turned to face Elizabeth. “You don’t understand.”
· Savings: 2 words

NOTE: The above word diet is part of a healthy writing style and recommended for all authors, whether or not they need to drop 20,000 words from their manuscripts.

© Lois Winston.
Lois Winston is the author of LOVE, LIES AND A DOUBLE SHOT OF DECEPTION. Visit her website at http://www.loiswinston.com/
*****
Ask the Mad Word Doctor
Verb Killer – Noun-izing Verbs

Dear Doc,
I’ve heard editors and agents preach that strong verbs are what “drive sentences.” And in one of your workshops, you suggested that if we’ve buried our verbs as nouns, “unearthing” them could energize our style. I’d be glad to save my poor little verb zombies if you’ll explain what you mean!
Unintentional Verb Killer

Dear Verb Killer,


Too often writers *noun-ize (make into nouns) the strongest verb in a sentence. Unfortunately, this tends to...
- dull the reader’s involvement with abstract ideas instead of active voice and vivid verbs.
- weaken style with the need for be-verbs and unnecessary prepositional phrases.

Compare the following examples:
1. weak: Some writers suffer a compulsion in the transformation of a short word into a longer form.
better: Good writers resist the urge to transform short words into longer forms.
Or: What compels her to transform short words into longer forms?
2. weak: The elimination of too many noun suffixes is a reinforcement to make your writing tighter.
better: Eliminating too many noun suffixes will reinforce tighter writing.
weak: The annual replacement of one’s whole wardrobe is a reflection of conformity to fashion trends.
better: She conforms to fashion trends by replacing her wardrobe every year.

I don’t mean you should never use the noun forms, just avoid excessive use. Try this with your writing: Search for such noun endings such as: -sion, -tion, -ity, -ance, -ence, -ment to reveal how many times you use them.

Then (to continue the grim metaphor, we have started) you can release your zombies from their undead state and resurrect them as the verbs they want to be. And quit digging graves for them!

*Nominalization is the technical term, but I resist using the word that practices the very problem I’m advising against.

Have a question to share in this column? Email me at: jmuHall@aol.com with “Ask the Book Doctor” as your subject line. If you want to remain anonymous, I’ll address you by whatever pseudonym you sign. To see previous issues, go to: http://www.joanuptonhall.com/books.htm. Scroll past the book covers and click “Ask Doc” Q&A’s.
*****
Meet Carolyn Howard-Johnson, Author
Interview by Mayra Calvani

Q. Who is Carolyn Howard-Johnson, the author?
A. The real author is me. It is a literary novelist, short story writer and poet. That is not to say I don't adore my how-to books. I get so much from helping other writers. And those how-to books make ideal texts that I tailor to exactly what I want to present in my classes at UCLA. Having said that, I couldn't live without the artier stuff. I know because I didn't do it for a long time and got cancer. I truly believe there is a connection. I'm writing my heart now. Maybe not as much as I should but enough to keep me well!

Q. Tell us a bit about your books, both fiction and non-fiction.
A. I like to have fun with my nonfiction books. I don't believe in writing dry old texts. I think you can give people the benefit of your knowledge and research and still make it fun. That's one of the reasons I wrote both THE FRUGAL EDITOR and THE FRUGAL BOOK PROMOTER. There are plenty of books out there on editing and marketing. I wanted something I knew my students would read, enjoy and keep. Their popularity is proving I was right.
As far as my poetry and novel(s) go (I only have one published, THIS IS THE PLACE, which has won eight awards), I write exactly what I want, using the best craftsmanship I can but not tailoring it at all to what I think will be popular. My other ahem!....serious works are a chapbook of very readable poetry called TRACINGS and a book of creative nonfiction called HARKENING. They are all available on Amazon.com.

Q. I would like to concentrate on your Frugal Series--The Frugal Promoter and The Frugal Editor. How did you come up with the idea for this series?
A. Well, the need for good text material for my classes, as I mentioned above. But also the urge to help keep other authors from falling into the same promotion and editing potholes I did when I started writing as something other than an avocation. I mean, even with a degree in English Lit, experience as a journalist and publicist, I still faced so many surprises. I think that's what writers do. They share. There seems to be a kinship between writing and teaching, don't you think?

Q. The market is full of books on marketing and self editing. What makes your books different from the rest?
A. I think the two major differences are the voice I talked about before. That makes them readable. The other is that each comes from practical experience. The Frugal Book Promoter is completely from my own experience and I'm not afraid to tell authors the kinds of things that didn't work for me as well as how they might fix that. I did research THE FRUGAL EDITOR as well as tell about my own experiences. But it is still extremely personal and practical. It even includes lots of step-by-step ways to make a word processor behave when you're editing. I didn't take classes to learn this. I learned all these little tricks in the school of hard knocks. When things go awry with a spell checker or a find function, you sure don't forget!

Q. What is the most common mistake authors make when trying to promote their books?
A. They think they're promoting their book or books. They promote only the titles. There is something in marketing called Branding. THAT is what they should be doing. Branding themselves. Very few fans can name every one of Stephen King's books. But they sure don't forget Stephen King!

Q. How do you see the future of online marketing? Do you think the blogging and virtual tour madness we see now will be the same ten years later?
A. Ha! Nothing online ever stays the same. I see changes every day. New ideas. New tech. Sometimes, when we're doing something like a virtual tour, we find little kinks of our own that will make them more successful. If not for every author, then for our own book. I think that's another reason my HowToDoItFrugally Series of books for writers is popular. My professional and practical experience has revealed so many of these little twists and turns.

Q. The most effective tool of book promotion is...
A. Publicity. Read that word "publicity" as "free." Thus the word "frugal" in my books for writers.

Q. Why do so many authors make the mistake of handing out their manuscripts to a family member or friend for editing? How fatal can this be?
A. It doesn't need to be fatal. In fact, one of the last things a writer might do is get some reader input before he or she begins the editing process. But a writer must put on her coat of steel before she does it and give the reader guidelines. She might say, "Are there any places you got confused?" as an example. And then, when the author is reading the feedback, she reminds herself--continually if need be--that these are readers. They're not writers. If they say the material is wonderful they may be fibbing. Or ignorant. An example: They probably won't know a darn thing about the intricacies of writing dialogue. One has to consider the source with any kind of input. Even suggestions in a critique group. If you're a literary writer, a genre writer may have some very valuable advice...or not.

Q. The secret to great self editing is..
A. That you cannot go it alone and do a great job. And THE FRUGAL EDITOR doesn't encourage authors to do that. It does recognize that many authors will, regardless of what anyone says. It also recognizes that the best editor in the world will do a better job if the author is a full partner in the process. And, we all know that we can't hire an editor for every media release, cover letter or query letter we put out there. Thus, editing skills are something we all need to work on. And keep working on them.

Q. Do you have a website and/or blog where readers may learn more about you and your works?
A. Yes!!! And it's new. And I did it myself. And I love the flexibility that gives me. I cannot only market my own work, I can give other writers resources. As an example, http://www.howtodoitfrugally.com/ has a page where editors, bloggers, etc. can pick up free essays and rants. It also has a resource page for writers where they can get a list of media list disseminators, as an example, or a list of book fairs where they might rent a booth or query the fair program planner to present or conduct a seminar.

Blogs?
My favorite blog is http://www.thenewbookreview.blogspot.com/. Reviewers, authors and/or readers can submit reviews on books they love. One of yours is there, Mayra! The guidelines to submit are on the left side of the blog page.
Another is http://www.sharingwithwriters.blogspot.com/. There I rant on everything from Oprah's lofty attitude to free speech issues, something I think all authors should be vitally interested in. And yes, promotion sometimes. (-:
And a blog that focuses on making book fair booths successful is http://www.authors/. I believe in what I call value-added promotions. In other words, a book fair booth will not stand on its own. It can't do that any more than a book can stand on its own with no promotion.

Q. Any exciting new projects on the horizon?
A. Boo hoo. I've had a novel in a drawer for almost two years. Eight chapters only. Don't remind me.
I'm also looking for a grant that will fund another HowToDoItFrugally book on publishing that I can give away to disappointed poets and literary writers. Publishing traditionally has gotten tighter over the years--especially in these genres. I want to give starving artists this book free so they can see how they might get a traditional publisher or, how to publish on their own if that doesn't work. A grant would help me do that. And yes, there are lots of publishing books out there. But they take it from angles that best suit popular genre writers and/or nonfiction books.
Oh, I'm also working on a booklet--probably to be given away free. It will be full of little things that people do wrong (and right!) when they edit. Words like affect/effect that confuse people. There is a section on this in THE FRUGAL EDITOR but I keep finding new ones!
*****
Meet Cheryl Kaye Tardif, Author of WHALE SONG
Interview by Mayra Calvani

Q. Why don’t you start by telling us a bit about your book, and what inspired you to write such a story?
A. Thank you for having me here.
Whale Song is an emotional novel about choices and consequences, suitable for adult and YA readers. It’s the story of Sarah, a young woman who is haunted by her past and by the assisted suicide of her mother. A teenaged Sarah moves from Wyoming to Vancouver Island where she is suddenly thrown into a world of racism, hatred, school bullying and more. Thankfully, Sarah befriends a native girl, and through stories told by her friend’s wise old grandmother, Sarah learns the legends of the animals around her--of Seagull, Whale and Wolf. As these legends begin to parallel her life, she moves through the tragedy of her mother’s death and the partial amnesia that has blocked out the truth, becoming a jaded young woman who has hardened herself to love and life. And then someone from her past returns to make her finally face all that she has forgotten. Whale Song is a mixture of coming-of-age, family drama and mystery, and it’s a novel that will change the way you view life…and death.
The story was inspired from two separate influences. The first was a native legend I had heard when I was a teen growing up on the Queen Charlotte Islands (north of Vancouver Island ). The legend stated that if you saw a killer whale close to shore, it was really someone’s spirit coming to say goodbye. The very thought of that haunted me and has always stayed with me. The second influence was the controversy surrounding the assisted death of someone who was dying a painful death. I wondered about that, about why it is so easy and acceptable for us to put down our family pet when they are suffering and yet we can’t find a more humane way to help the dying to pass on. The two elements combined, and for two years I played with the idea of writing Whale Song. And when the time was right…I did.

Q. Did you have to do a lot of research about whales and Indian myths?
A. I pride myself on my research. If a writer wants a story to ring true and be believable, it’s vital to check facts and sources. I researched killer whales and myths for close to 2 months. There is so much material out there that I could have read about both subjects for years! I found the information on killer whales to be very enlightening, especially about echolocation and adoption. Since writing Whale Song, I have found some awesome sites, such as: http://www.orcagirl.com/. There is just something about killer whales that intrigues and mesmerizes me.
And even though the main Indian or native myth was one I knew, I still believe in researching everything. As I began to delve into native folklore, I discovered so many stories that I had grown up with, and so many more that I had never heard. They all entranced me. And strangely enough, when I needed a story to fulfill a particular ‘duty’ or parallel a certain aspect of Sarah’s life, I always found one that was perfect. The Bridge of the Gods, for instance, was a legend I found fascinating. Of course, I won’t tell you…you’ll have to read Whale Song.

Q. How would you describe your creative process while writing this novel? Was it stream-of-consciousness writing, or did you first write an outline? How long did it take you to write it?
A. For Whale Song (and all of my novels), I have allowed the story to brew and simmer in my mind. For two years I thought about writing it, and by then the characters were almost lifelike. Finally, I began. And yes, it was more a stream-of-consciousness event. Writing the story was like a journey in some ways…one that had been planned and plotted, the course already lined out. All I had to do was get from point A to B. And then to C. You get the picture. There was no struggle in writing the story—other than I can’t type fast enough to keep up with my thoughts. Like good beer or fine wine, the story had fermented into something wonderful when I gave it the time it needed. There was no outline, maybe a few notes. Whale Song was written, edited by me and 2 editors and at the publisher’s within 3.5 months.

Q. Have you ever suffered from writer’s block? What seems to work for unleashing your creativity?
A. No, writer’s block is not something I get. Part of me simply doesn’t allow it. I will, however, get “I can’t write now because I have to do laundry” block. Or “I don’t want to write it today because I want more than an hour to focus on it” block. But even when I am not working on my current novel, I always seem to be writing something—from posts on my blogs, to posts on MySpace (http://www.myspace.com/cherylktardif), to writing book reviews on other authors’ books. Every day I write. It is oxygen to me.
The true secret in unleashing my creativity is the brewing, simmering and fermenting stage. Every novel I have written has swirled around in the somewhat murky depths of my mind for months, maybe years, before I start writing. All I need to do is think of the title and I am brought back into the plot instantly. It is much like watching a movie unfold. The stronger the ‘vision’, the more compelled I am to write it. And I get story plots from the weirdest things—often from my own fears or my dreams, which don’t seem to be as sweet and fun as everyone else’s. Sometimes I get inspired from seeing a word or phrase, or from the news.

Q. How was your experience in looking for a publisher? What words of advice would you offer those novice authors who are in search of one?
A. I started searching for a publisher when I was about 18. I sent out query letters, outlines, synopses etc, but didn’t have one bite. I did, however, get a lovely collection of rejection letters. Since then I have collected more. I think I have enough to wallpaper my office! J Back in 2001, I started considering self-publishing again. I realized that if I took a risk and self-published that I would have a way to test my novels in the real world. And I would also have a track record of sales and experience to show to a traditional publisher. So I self-published 3 novels and found that being a published author was “it”. I had finally found myself. But my goal was (and is) always to be published by a big NY publisher like Bantam or Warner. I dream BIG…and in full color. So…if someone from Bantam or Warner happens to be reading this…please email me. I am also looking for an agent.
I receive lots of emails from aspiring or novice writers, and I tell them all the same thing. Self-publishing is a viable option, but you should pay your dues and submit to the traditional publishers first. Aim high! But keep in mind that less than 2% of manuscripts are accepted. To some, this may seem a defeatist attitude, but it’s reality. So be prepared to work hard and look for opportunities. I spent years doing it the “right” way and I don’t regret it. I learned so much. And I think that is one of the reasons why I was finally picked up by a traditional publisher. I had walked the walk. Self-publishing was an option and a choice. It won’t work for everyone. I think of it as building a ladder and climbing it, one rung at a time. You have to start somewhere—usually at the bottom--and work your way up. I meet too many authors who want the quick fix. There really is none. Just as you should be honing and perfecting your craft of writing, you should hone the business side. Getting published is business. And it’s not for everyone. That said, if you want it badly enough, MAKE it happen. Dare to dream…and dream BIG!

Q. What type of book promotion seems to work the best for you?
A. I really enjoy book signings. That’s where I get to meet existing and potential fans. I love talking to people about my novels. But really, at a signing I only see so many people. The best promotion is online. Using my blogs, MySpace, and networking groups such as Ning, I am able to connect to hundreds of thousands of people every day…and I don’t even have to change out of my housecoat! Just like today!

Q. What is your favorite book of all time? Why?
A. I knew you’d ask me a really difficult question eventually. I have so many favorites, it’s hard to choose. But I guess the one that has always stayed with me is The Mists of Avalon by Marion Zimmer Bradley. King Arthur, Camelot, forbidden love, bloody battles, a mystical hidden island, beautiful women and handsome warriors…what more could you want? I loved being thrown into a world of conspiracies, damsels in distress, the heroes that rescue them--and the magic that surrounds them. Talk about escapism. And don’t we all need to escape once in a while? That’s what a good book does. It offers a retreat from reality…even for a short time.

Q. Do you have a website/blog where readers may learn more about you and your work?
A. I have many sites and blogs. I’ll list the main ones here.
http://www.whalesongbook.com/
http://www.cherylktardif.com/
http://cherylktardif.blogspot.com/

Q. Do you have another novel in the works? Would you like to tell readers about your current or future projects?
A. I always have other novels at various stages of completion. I recently finished Children of the Fog, a suspense thriller about a woman whose son is kidnapped—before her very eyes. This is one of those terrifying moments we never want to think about: if someone threatened to kill you and your child if you didn’t allow him to take your child, would you let him do it? I like to ask these kinds of chilling questions.
For fans of Divine Intervention, I must apologize that I have not finished Divine Justice. I am waiting to hear whether my new publisher (or another) wants to take Divine Intervention first. If they pick it up, then I will be free to continue with the series. I’m sorry it’s taking so long. If you want to, feel free to post to my guestbook on my publisher’s site. If you mention that they should take Divine Intervention and that you’re waiting for Divine Justice, they may just make a decision soon. http://www.kunati.com/cheryl-kaye-tardifs-guest-book (my publisher reads these posts).
I am currently working on: Divine Justice, Submerged and a terrifying thriller/horror (thinking of it makes MY skin crawl). I’m not sure in which order they will be published. I also have a list of 20+ future works, and I occasionally write short stories, some of which are now Amazon Shorts (Picture Perfect and A Grave Error), which you can buy for .49 cents on Amazon.com.
*****
Mayra's Book Reviews...

The Frugal Editor
By Carolyn Howard-Johnson
Red Engine Press
Copyright 2007
ISBN: 978-0-9785158-7-4
Paperback, 208 pages, $18.95

The publishing world is so incredibly competitive nowadays, both aspiring and experienced authors who wish to succeed need to make sure that their submissions—be that queries, proposals, partials or complete manuscripts—are as flawless as they can possibly be. It goes without saying that these submissions must be free of spelling and grammatical mistakes; that’s only the beginning. Editors and agents pay attention to a lot of other amateurish mistakes in a submission. In this her latest book, award-winning author Carolyn Howard-Johnson reveals what those other mistakes are, what you can do to spot them on your manuscript and, more importantly, correct them.

Johnson demystifies how to spot dangling participles, gremlins of the passive voice (which stubbornly keep appearing after having edited your manuscript twice), and innocuous agreement errors, among other sneaky problems like overuse of adverbs and adjectives, gerunds, unnecessary question marks and exclamation points, handling possessives and apostrophes, hyphens, double adjectives, and more.

You’ll learn how to make the editing process more effortless, including how to set up your Word program to make markings easier, as well as manual and electronic techniques for spotting errors. The book also includes helpful sidebars with particularly important information on all aspects of self editing.Johnson also discusses the most common amateurish mistakes writers often make. At the end of the book there is a chunky appendix with lots of pertinent and relevant resources.

One of the things I found more interesting about this book is the ‘inside’ information from the point of view of various agents. I also think Johnson gives very valuable advice when she recommends NOT doing the final two edits on the computer screen, but on printed copy instead. I particularly like the chapters on how to set up Word for optimizing the self editing process; I have read many books on editing but never came upon this practical element before. Moreover, Johnson writes in a friendly, engaging style, making the reading of this book both an enjoyable and enlightening experience.

Ideally, hiring a professional editor is the best way to go, but unfortunately, not every writer has the resources to hire one. Getting a copy of The Frugal Editor and using it as a reference guide is the next best thing. Highly recommended for authors who are serious about their work and willing to beat the odds.
***
Freckleface Strawberry
By Julianne Moore
Illustrated by LeUyen Pham
Bloomsbury Children’s Books
Copyright 2007
ISBN: 978-1-59990-107-7
Ages 0-5, 40 pages, $16.95
Hardcover
Available October 2007

Freckledface Strawberry is about a seven-year old girl just like everybody else, except for one thing: she has red hair. Not only that. She has FRECKLES!

Where did they come from? Nobody in her family has freckles. How she got them is a mystery! No matter where she goes, people always have something to say about her freckles—that she’s dotted, that she’s dirty, that she looks like a giraffe, but even worse… that she’s a FRECKLEFACE STRAWBERRY!
Freckleface Strawberry must do something to get rid of her freckles. And fast. She tries various funny ways to get rid of them, before realizing that maybe, just maybe, freckles are not that bad after all. What’s even more… maybe freckles are what make her HER.

This is a picture book that will be thoroughly enjoyed by all, especially by children who have freckles. The story maintains the right pace to keep the momentum going and the colorful illustrations have a wacky quality that suits well the tone and add to the humor. Julianne Moore has created a cute, fun story based on her own childhood experience . I look forward to reading more books from her.

*This review was previously published in http://www.armchairinterviews.com/
***
Beauty Shop for Rent
By Laura Bowers
Harcourt Books
978-0-15-205764-0
Copyright 2007
Hardcover, 330 pages
YA/General Fiction
12 & up

I thoroughly enjoyed reading this novel by first-time author Laura Bowers.

Fourteen-year old Abbey Garner lives with her great-grandmother and works part-time at her struggling beauty shop. The place has been displaying a ‘For Rent’ sign over a year, to no avail. Then one day a beautiful and sophisticated young woman comes to rent it, bringing with her modern ideas to remodel the shop. Soon Abbey grows to love and admire her. How can she not? She’s everything Abbey’s mother is not—successful, independent, reliable. Now that the shop has been turned into a modern spa, Abbey is able to work more toward her big dream: to become rich by the time she turns thirty five. But then, her mother, who had Abbey when she was sixteen and practically abandoned her, comes back into the picture, turning Abbey’s orderly life upside down.

Don’t be fooled by the fun, whimsical aspect of the beauty spa idea; although the setting adds a touch of hilarity to the story, this is a strong, beautifully written and heart-warming tale about a young teenager’s search for maternal love. It is a coming-of-age novel about overcoming disappointment and about forgiveness. Abbey is a sensitive, thoroughly sympathetic protagonist. Beauty Shop for Rent is fine piece of work that will appeal to both young adults and adults alike.

*This review was originally published on http://www.armchairinterviews.com/
*****
Resources
http://www.thereadingtub.com/ "Dedicated to promoting reading and literacy. Jump in to find great books you and your children will love to share, and learn about ways to encourage your child's love of reading."--The Reading Tub, Inc.

http://www.bksp.org/secondarypages/articles/agentseditors/RCurtis4.htm Great article on print on demand and publishing.

http://www.freewebs.com/themuseonlinewritersconference/ Online conference for writers.

http://www.worldhorrorconvention.com/
http://www.womanwriters.net/

*****
Contests

Science Fiction author M.D. Benoit is having a contest. Win a signed copy of her book, METER MADE! Click here for details:
http://mdbenoit.com/blog/2007/07/10/win-a-signed-copy-of-meter-made/